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There ’s one image conspicuously featured inThe Legend of Zeldathat needs to change . With a total of 20 mainline entry , theZeldaseries is full of tropes that can be find in multiple games . Whether it ’s the dungeon that often take typical environmental themes , like fire or water supply , to the conversant items usually at Link ’s electric pig , eachZeldaentry is bound to have at least a few of these basic alongside its more original ideas .
These tropes often make their way intoZeldagames for skilful rationality . fall back features such as familiar enemy and mechanics are staple fiber because they ’re so beloved by players , meaning their inclusion in a newZeldagame is often met with warm reception . However , there ’s oneZeldatrope that has systematically made an appearance , despite being a constant source of frustrationfor the player . Its inclusion is often so fear by players that future entering in theZeldaseries should work to avoid it completely .
The Companion Character Is The Worst Part Of Zelda Games
Companions Are Often Incredibly Annoying
The companion of theZeldaseries are often the worst part of their respective game due to their annoying and intrusive nature . go with Navi inOcarina of Time , the role of the associate character serve as a physical manifestation of a guide , informing the player of where to go and what to do . The fellow traveller character helps to makeZeldagames more approachable , allowing untested or less experient players to enjoy the experience without getting lost or confused , ensuring that they stay on course .
In Navi ’s case specifically , she was also part there to aid player navigateOcarina of Time ’s refreshing 3D surround , as well as being a diegetic HUD element for omega - targeting .
The primary issuance with the comrade is how often they interrupt gameplay and get thwarting for the player . In title such asOcarina of TimeandSkyward Sword , it ’s not uncommon for the fellow traveler to make an show as shortly as any minor procession is made , only to remind the thespian of an objective they ’re already working towards , or how to use an item that they ’ve likely familiarized themselves with . The constant interruptions take control aside from the instrumentalist , making them unable to act as the existent game , destroy its overall pacing .
In a translated consultation from 1999 , Ocarina of Time producer Shigeru Miyamoto reveals that he considered cut Navi ’s tip from the biz .
More importantly , the recycling of well - known information can feel condescending towards the player . EvenZeldacreator Shigeru Miyamoto is aware of the problem , identifying in a 1999 audience ( recently translated byshmuplations ) how Navi would often say " the same thing over and over . " This repetition suggests a want of trust in the player to be able to find the way forward , denying them the intuition and critical thinking thatZeldagameplay is built upon . Even for less experienced thespian , the constant admonisher are potential to feel intrusive and unnecessary .
Another Strategy To Guide The Player Should Be Used
Players Should Be Allowed To Figure Things Out For Themselves
The constant issues with companions inZeldagames show that there demand to be a change to how musician are guided through the experience . gratefully , a unlike approach was introduce inBreath of the WildandTears of the Kingdomthat is far more ideal . Both game have the thespian start in a modest opening surface area – BOTW ’s Great PlateauandTOTK ’s Great Sky Island – asking them to use the tools at their electric pig to come up a style forward and gain the freedom to explore Hyrule . The characters in these sections disturb far less , encouraging the player to discover the way forrad themselves .
This method solve far best forZeldagames than companions , as the participant is loose to use their own intuition and trouble - puzzle out skills to learn the ropes . BothBOTW ’s andTOTK ’s opening areas are also low enough to forbid a new player from getting easily lost , while there ’s a overplus of optical cues in these areas to subtly guide the participant in the right direction . The scheme of throttle the thespian seduce for a gross trade - off , ease players into the secret plan while never directly controlling their actions , making for a more ideal method that futureZeldagames could expend .
It ’s unclear whether comrade will persist a vernacular trope ofZeldagames . The cellular inclusion of Tri inEchoes of Wisdomsuggests companions might still stick around , despite the thwarting they cause . However , if futureThe Legend ofZeldaentries want to make the experience smoother and less frustrating for the player , some stiff consideration should be made about how the player is guided through their risky venture and how frustrations can be annul .
Source : shmuplations
The Legend of Zelda franchise follows the adventures of Link , an elf - similar Hylian , and Princess Zelda as they protect the earth of Hyrule from the evil warlord - turned - demon king Ganon . The serial publication is have a go at it for its mix of action , adventure , and mystifier - puzzle out elements , often rotate around the collection of the Triforce , a herculean relic left by the goddess who make Hyrule . Each game feature different incarnations of Link and Zelda , maintaining core component while enter new characters and setting .
Custom image by Katarina Cimblajevic
The Legend of Zelda franchise follows the adventures of Link, an elf-like Hylian, and Princess Zelda as they protect the land of Hyrule from the evil warlord-turned-demon king Ganon. The series is known for its mix of action, adventure, and puzzle-solving elements, often revolving around the collection of the Triforce, a powerful relic left by the goddesses who created Hyrule. Each game features different incarnations of Link and Zelda, maintaining core elements while introducing new characters and settings.
