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The porta sentence in a story is often considered the most of import because it sets the tonus for everything that ’s still to get . But , for movies , the opposite is often true . The last pipeline is so of import to nail because it will send the interview out of the theater on the right-hand emotional banker’s bill . Having a arrant capper ensures the moving-picture show will linger in the viewer ’s head long after it ’s over .
The proper part words help to take the story ’s stem home base in a meaningful way , encapsulate its intact stage . Some are incredibly noted representative , others perhaps a little less obvious . All of them wrap their respective movies up attractively .
Updated on August 25, 2022 by Tanner Fox:
" I think this is the offset of a beautiful friendship . " Interesting filming and engaging introductory scene are vital to lurch viewer into a movie , but a final line is perhaps even more crucial . The last bit of spoken talks is what ’s most probable to stick with audiences , and , if it ’s particularly poignant , it can in earnest boost a film ’s reputation .
From old - school classics likeCasablancato modern masterpieces likeInglorious Basterds , these are the most singular final movie lines of all time .
Toy Story 3 (2010)
“So Long, Partner.”
Toy Story 3ends on a greenback that is both beautiful and sob - inducement . The now - college - get on Andy gives all his old toys — including Buzz Lightyear and dear rodeo rider dame Woody — to a little girl . He no longer needs them and decide to leave them in the hands of a child who will have a go at it them the agency he did . After play for a few moments , Andy hops in his car and drives away . As Woody watches him melt into the distance , he give tongue to the bittersweet Son , " so long , collaborator . "
The entireToy Storyseries care with the connectedness between playthings and the children who own them . Woody ’s final words , therefore , speak to the fact that thing that were once vitally important get left behind later on in lifetime . In many respects , the last sentence is elegiac . It disturb on the passing of younker and of more sinless times in life , but it also offer Bob Hope by signal out that share-out miniature helps keep the conjuring trick of shimmer alive .
King Kong (1933)
“It Was Beauty Killed The Beast.”
The 1933 version ofKing Kongis an all - time classic thanks in no modest part to its dramatic ending . After escaping a Broadway theatre , the titular ape snap Fay Wray ’s Ann and climb up the Empire State Building . He is attacked by woodworking plane circle the building , dart at him . Kong takes one of the planes down , but he at last loses his symmetricalness after being shoot , leading him to fall to his death . On the ground , a law officer front at the dead ape and says that the airplane stamp out him . film maker Carl Denham ( Robert Armstrong ) corrects the officer , saying " no , it was n’t the airplanes . It was Beauty kill the Beast . "
Aside from the obvious reference toBeauty and the Beast , the line is herculean because it , ironically enough , humanize Kong a fiddling . For much of the film , he has been present as a behemoth ; a giant , crazed animal to be feared . These final language advise that Kong had some variety of primitive feelings for Ann . Not love , necessarily , but a protective kind of family relationship . He may have been a wolf , but he was a animate being with spunk .
Se7en (1995)
“Ernest Hemingway Once Wrote…”
Anyone who has ever seenSe7encannot forget its harrowing ending . Killer John Doe ( Kevin Spacey ) reveals that he trim down off the brain of protagonist Mills ' pregnant wife and stuck it in a box . He wants Mills ( Brad Pitt ) to kill him so that he can finish his serial publication of murders based on the seven deathly sins . Mills ' partner , Somerset ( Morgan Freeman ) tries to convert him not to shoot the killer because that would earmark Doe to " win . " Overcome with grief and a thirst for vengeance , Mills shoot him anyway . As the movie envelop up , Somerset , in voiceover , tell , " Ernest Hemingway once wrote , ' The mankind is a fine place and worth fighting for . ' I concur with the 2nd part . "
Se7enis one of the most nihilistic motion pictures ever made , and Somerset ’s quotation reflects that . Over the course of the flick , he run into evidence that the humanity can be a pretty ugly stead . He see suffering and pain , capped by the emotional desolation of his cooperator . The really interesting thing , though , is that his leave-taking words also extend a coup d’oeil of Bob Hope — and the only one inSeven , for that matter .
Iron Man (2008)
“The Truth Is, I Am Iron Man.”
The 2008 Marvel movieIron Mantells Tony Stark ’s origin story , showing how the billionaire playboy industrialist rise his trademark courting of armor and starts contend crime . His enemy in this case is Obadiah Stane ( Jeff Bridges ) , his belated Fatherhood ’s old business mate , who also manages Stark Industries . Stane has a personal agenda that involves manipulating the company for his own personal addition . By the flick ’s closing , he has a super - courting of his own , which he uses to battle Stark , but Iron Man wins . The next solar day , Tony stand at a press conference and makes a stunning confession:“the truth is , I am Iron Man . "
The great thing about this last line is that it finds Tony Stark doing something few superheroes ever do , which in public identifying himself . So many heroes invent personas specifically to keep anyone from give away their true identity operator . It ’s why Batman , Spider - Man , and so many others get into masque . Tony Stark , never one to do thing in a formal manner , defy custom by allow the world know who the iron - clad hoagie they ’ve been following really is .
Jaws (1975)
“I Can’t Imagine Why.”
Roy Scheider ’s Brody spend the movie hear to get the citizen of Amity Island — especially the town ’s mayor — to take his shark warnings gravely . At the end , an attempt to kill the shark takes place . It eats Quint ( Robert Shaw ) , scat an effort by Hooper ( Richard Dreyfuss ) to spear up it with poison , then attacks Brody , who is on a sinking boat . When the puppet is eventually belt down , Brody gag , " I used to hate the water . “Hooper reply , " I ca n’t imagine why . "
This is a minute of much - needed levity after the nail - biting vividness of the last battle which everything else inJawsskillfully build toward . Brody is , of course , being ironic . If he ever had a reason to hate the water , it would be after the harrowing experience he ’s just had . Hooper plays along with the joke , and the hearing gets a laugh that breaks the tension before the credits roll .
Inglourious Basterds (2009)
“I Think This Just Might Be My Masterpiece.”
Inglourious Basterdsremains one of Quentin Tarantino ’s most celebrated films , and that is undoubtedly due to its satisfying third human action . While nowhere close to historically exact , it ’s a o.k. example of cinematic wish fulfillment . Even more cheer - inducement is what happens in the stopping point ; Lt . Raine ( Brad Pitt ) carves a swastika into the forehead of the motion-picture show ’s chief scoundrel , SS Colonel Hans Landa ( Christoph Waltz ) , and declares " I think this just might be my masterpiece . "
While the line of merchandise can sure as shooting be taken literally , this could also be rede as the director inserting a comment about the film . Tarantino is known for several stellar cinema , and its condition as a chef-d’oeuvre is n’t often contested .
The Maltese Falcon (1941)
“The Stuff That Dreams Are Made Of.”
The Maltese Falconhas a plot that blur a heap of spectator , at least on first wake . The bottom line of business , though , is that it ’s about the way that the desire for anything valuable , monetary or otherwise , can lead people down dark roads in their efforts to receive it .
The Matrix (1999)
“Where We Go From There Is A Choice I Leave To You.”
The Matrix , released in 1999 , daze audiences with its then - groundbreaking visuals and trippy philosophic elements . The story ends with the protagonist , Neo ( Keanu Reeves ) , destroying the evil Agent Smith and learning how to check the Matrix . It ’s an action - filled finale that lead to Neo ’s poignant last words . In a telephone call , he promises to fundamentally dismantle it all , creating a fresh world decree , liberal of rules and controls . " Where we go from there is a choice I allow to you,“he recount them before flow up and fly off into the sky .
Everything aboutThe Matrixis design to make the watcher ’s head spin . It overstretch together elements from a circle of disparate influences to ask what reality is and how anyone could really know if what they are experiencing is veridical . Neo ’s final words in the picture play directly into this idea , even go away so far as to suggest that reality is what people make it .
Goodfellas (1990)
“I Get To Live The Rest Of My Life Like A Schnook.”
Martin Scorsese’sGoodfellasis one of the definitive mob movies of all time . It is establish on the rightful story of Henry Hill ( Ray Liotta ) , a guy who grew up idolizing mobster as a Kyd . As a humankind , he create his way into the Mafia , where he ’s guided by three wise man : Paulie Cicero ( Paul Sorvino ) , Jimmy " the Gent " Conway ( Robert DeNiro ) , and the explosive Tommy DeVito ( Joe Pesci ) . For a time , Hill enjoys the flashing , the Johnny Cash , and the fear - driven respect that comes from being a mobster . But , eventually , he ’s take in in a emergency by the Feds . After ratting out Paulie and Jimmy , he enters the Witness Protection Program . His twenty-four hour period in the family are officially over . Henry ’s sum of it all : " I get to live the rest of my life like a schnook . "
There is deep , delicious irony in this line . Henry wanted to become a gangster specifically so he would n’t have to live life as an mean Joe . He wanted money and power and influence , and he had those things . Crime , however , does not pay — or at least not for very long — and his house of card comes dilapidate down . Goodfellasends with him stuck in the kind of life-style he always hoped to avoid .
The Dark Knight (2008)
“A Watchful Protector. A Dark Knight.”
The Dark Knight , directed by Christopher Nolan , is perhaps the good Batman story ever committed to shoot . It ’s dark and psychological , but also exciting as all get out . The final moments get hold the Caped Crusader ( Christian Bale ) in a baffling topographic point . Harvey Dent , believe by many to be a Italian sandwich , is beat . Batman knows that , if the citizens of offense - ridden Gotham learn of Dent ’s kill spree under his pretence of Two - Face , all hope will go out the window . Everything will crumble . He convinces Lt . Jim Gordon ( Gary Oldman ) to let him take responsibility for the execution to avoid the deject consequences . Gordon reluctantly accord . In voiceover , as Batman flees , viewers pick up the cop state that " he ’s not our poor boy . He ’s a silent shielder . A watchful protector . A Dark Knight . "
Those words are meaningful becausethe entire theme ofThe Dark Knightis meaningful . Most superhero write up finish triumphantly with the good hombre take down the baddie and receiving public adoration as a effect . Not Nolan ’s taradiddle ; it finds Batman absorbing all of Gotham ’s rage and hostility in purchase order to bear on an crucial ideal . The ending would be a downer were it not for Gordon ’s admiring Logos .
Sunset Boulevard (1950)
“Alright, Mr. DeMille, I’m Ready For My Close-Up.”
This is certainly one of the most illustrious lines of dialogue — concluding or not — in cinematic history . They show the illusion of Norma Desmond , who remains a legend in her own mind . The whole film is a sardonic look at show business and the path that people who have experienced the spotlight have a grueling meter when it no longer beam on them . Her parting words areSunset Boulevard ’s stinging , darkly funny punchline .
Fight Club (1999)
“You Met Me At A Very Strange Time In My Life.”
During its initial release in 1999,Fight Clubwas widely misunderstood . It was , in so many ways , a moving-picture show out front of its time . These days , the movie is seen as something of a modern classic , as well as a treatise on the cost of subsist in a world that is becoming more and more materialistic and soulless . What Jack tells Marla at the end of the photographic film underscores the master estimate behind the tarradiddle which is that he has fall back himself and ca n’t quite find his way back .
fight down Club’sending sceneis seriously audacious , offer a reasonably bleak outlook for the character going forward . His remark is a sick joke , which is perfectly in keep withFight Club ’s entire esthetic .
The Usual Suspects (1995)
“The Greatest Trick The Devil Ever Pulled.”
The Usual Suspectsisn’t just a motion-picture show ; it ’s a witching trick . Everything orbit around the identity operator of a deep criminal named Keyser Soze . The framing gadget implicate the only guy who can nail Soze , Verbal Kint ( Kevin Spacey ) secernate customs agent Dave Kujan ( Chazz Palminteri ) a long , complex story about how he entered the villain ’s world and took part in a rip-off .
In the movie ’s final minutes , the gimp Verbal pass away the police station , and viewers see his disablement immediately evaporate . Inside , the federal agent comes to the lurid realization that he just permit the genuine Keyser Soze get away . The common Suspectsends with a recall in which Verbal allow for a very telling quote : " The greatest trick the devil ever pulled was convincing the macrocosm he did not exist . And like that … he is gone . "
Casablanca (1942)
“I Think This Is The Beginning Of A Beautiful Friendship.”
In the all - time classicCasablanca , American expatriate / nightclub possessor Rick Blaine ( Humphrey Bogart ) is reunify with an old fan , Ilsa Lund ( Ingrid Bergman ) . Rick wants to help Ilsa and her hubby escape to America . Old feelings are rekindled , though , and there ’s a part of Rick that just want to keep Ilsa around for himself . She ’s consider the idea , too . In the end , though , he puts her on a plane to prophylactic . The movie ends with police chief Captain Louis Renault ( Claude Rains ) suggesting that he and Rick conjoin the Free Gallic regular army . His answer : " Louis , I think this is the offset of a beautiful friendship . "
That line has several stratum , but , most conspicuously , it acknowledges that their family relationship has change . Renault , for starter , has make out around and decided to take up the Allied cause . He and Rick suddenly have thing of pith in coarse . Previously , their traffic were drive by private ego - interest . Now , they are on the same side of a political cause . The line also offers up a little hope for Rick , who just sent the love of his spirit forth . He may be sad , but he ’s have a raw steering , plus someone to go down that route with .
Chinatown (1974)
“Forget It, Jake. It’s Chinatown.”
Roman Polanski’sChinatownprovides Jack Nicholson with one of his most iconic roles , that of secret investigator Jake Gittis . He uncovers a corruption malicious gossip within the Los Angeles Department of Power and Water . There is an endeavor to dry out up land to drive orangeness - growers out of business . Their land will then be re - watered , lead to emergence and successfulness for the new owner . At every turn , there are bribes , Lie , screen - ups , and conspiracies . The mystery story end with a revelation of incest , the death of a major character , and a quite a little of bad citizenry still go out to do their thing . Gittes is not felicitous . One of his associate leads him away from the conniption of a standoff , offering the advice , " forget it , Jake . It ’s Chinatown . "
There are few lines in all of movie theatre as cynical as that one . The point , driven home so forcefully in those five countersign , is that corruption is so deep instill in the situation Jake is investigating that he ’s rot his time render to let out or alter it . Chinatownwas released in 1974 , when Richard Nixon and the Watergate scandal were on the US ’s collective mind . The movie ’s suggestion that power and corruption are inextricably connected certainly gave it resonance for audience of that epoch .
E.T. The Extra-Terrestrial (1982)
“I’ll Be Right Here.”
E.T. The Extra - Terrestrialtracks the relationship between an adorable alien visitant who has accidentally been stranded on Earth and the young boy he befriends . Together , they seek to put together a " sound " that E.T. can expend to call home . They follow , and , in the oddment , they ’re ram to say an emotional good-bye before the little Reese ’s Pieces - eater hops on his starship . Elliott is visibly upset about having to part , so his intergalactic buddy perch up his finger , points it at the boy , and informs him " I ’ll be properly here . "
It ’s virtually inconceivable not to pluck up in this touching , heartfelt moment . By this gunpoint in the moving-picture show , fans have fall completely in love life with E.T. , so his departure affects them as much as it does Elliott .
Some Like It Hot (1959)
“Well, Nobody’s Perfect.”
Billy Wilder’sSome Like It Hotrevolves around two musician , Joe ( Tony Curtis ) and Jerry ( Jack Lemmon ) , who find a gangster slaying . In fiat to annul being discover , they arrange up as women and invent unexampled persona for themselves : Josephine and Daphne . A recurring bit in the movie find out millionaire Osgood Fielding III ( Joe E. Brown ) fall for Daphne . This pays off in the final scene , where they ’re drive a racing yacht aside from a pier . Osgood announces his intention to marry Daphne , at which point Jerry rips off the wigging and queer himself as a man . Without missing a beat , Osgood replication , " well , nobody ’s perfect . "
Some Like It Hotcame out in 1959 , a time when subjects such as intimate / gender identity and cross - stuffing were still very much taboo onscreen . The movie used broad humor to extend to on these subject , making for an incredibly daring funniness for the meter .
“Roads? Where We’re Going, We Don’t Need Roads.”
After a dear - catastrophic experience that about erases his own beingness , Marty McFly ( Michael J. Fox ) returns to the present day , thinking that his jaunts through time are over . Then , Doc arrives in the DeLorean , informing him that there ’s a personal crisis in his hereafter . Marty asks if there are road in the future , to which Doc ( Christopher Lloyd ) replies,“Roads ? Where we ’re exit , we do n’t need roads!“The DeLorean then launches into the air and zooms right toward the camera .
The Wizard of Oz (1939)
“Auntie Em, There’s No Place Like Home!”
Kansas seems like a pretty boring berth to Dorothy ( Judy Garland ) inThe Wizard of Oz . It ’s dusty and bare , and there ’s not much to do . No marvel she dreams of going " somewhere over the rainbow . " She gets her wish when a crack cocaine hit and whip her off to the witching commonwealth of Oz , where she makes some hip newfangled friends and has to contend with a skanky witch and her flying rascal . finally , all is revealed to be a dream , one from which she gladly wake . Dorothy , relieved to be away from all that drama , looks at her aunt and outcry " Auntie Em , there ’s no home like home ! "
The movie ’s theme could not be put out any more succinctly;The Wizard of Ozis about a issue of things , but nothing more than the idea of dwelling . Sure , Kansas feels dull to Dorothy , but it ’s where the people who love her are . Only after getting aside from it for a while does she earn just how felicitous she is there .
Caddyshack (1980)
“Hey, Everybody! We’re All Gonna Get Laid!”
Caddyshacktakes place at Bushwood Country Club , an governing body filled with full-bodied overstrung socialite , most notably Judge Elihu Smails ( Ted Knight ) . Into this upper - crust ball club comes condominium developer Al Czervik ( Rodney Dangerfield ) . The audience is differentiate he ’s offensive to Smails and the others because he ’s brash and tatty , but the unspoken significance is that he ’s unwished-for because he ’s Jewish . Al takes Smails on in a high - bet golfing grievance match with an assistance from caddy Danny Noonan ( Michael O’Keefe ) , whose cardinal sinfulness is coming from a do work - form family . They win , much to the judge ’s dismay . His opponent duly abase , Al turn to the throng of spectators and gleefully announces " Hey , everybody ! We ’re all gon na get repose ! "
Given thatCaddyshackis filled with undertones about prejudice of all stripes , Al ’s triumph affirmation sends a subject matter that a fresh day has dawn at Bushwood . The elitist prig are no longer in charge . Everyone is now gratis to have a expert time at the club no matter who they are , where they come from , or how much money they have .
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