Interstellar
If there is one affair you would n’t really expect from a member of the Earth - renowned clowning troupeMonty Pythonto go on to be , it would be a Laputan director of a series of unbelievable , gimmick - filled , mind - bending sci - fi picture . apart from perchance a vocation create locomotion documentaries like Michael Palin did , that is .
Terry Gilliam’s12 Monkeysfrom 1995 is a work of underrated cinematic brilliance face by Bruce Willis and a very youthful Brad Pitt . It stands alone thanks to its incredible uniqueness , but there are a smorgasbord of films which fan of the surrealist , complex style of12 Monkeyswould probably fall in love with . For fans who are starving for more strange yet hypnotic pic like12 Monkeys , they need take care no further than these ten equally awe-inspiring moving-picture show .
Brazil (1985)
Also from Terry Gilliam , Brazilis a very , very foreign film . Much like12 Monkeys , it separate the story of a dystopian future tense full of half-baked machines and complex , confusing surrealism . Robert De Nirois billed highly but only appears briefly .
Instead , this is Jonathan Pryce ’s time to shine . He plays the confused , complex Sam Lowry to a tee and dissemble as a windowpane into the1984 - esque brilliance of a manic future world .
Donnie Darko (2001)
The strangeDonnie Darkocame out to a moderate response , as its trailer ( which featured a plane crash ) was due for release just a few days after the September 11 terror attacks . Despite its low budget and low box office return , Donnie Darkohas gone down in account as a cult classic due to its creepy-crawly depiction of the impingement of next prediction .
While12 Monkeysis all about how the events of time can not be changed , Donnie Darkofocuses on how they ’re very much malleable . The movie ’s unique take on the honest-to-god chapeau approximation of time travel will emphatically please and connive fans of12 Monkeys .
Interstellar (2014)
Despite some of its unforgettable moments , the grand and expansiveInterstellardoesn’t come close to the simple insanity of12 Monkeys . That say , though , it is still a brilliant geographic expedition of engineering science and sci - fi complexities .
Christopher Nolan has access to budgets ten time the size of Gilliam , but we envisage the visuals in this film might be along the lines of what a big - budget Gilliam might make .
The Truman Show (1998)
In12 Monkeys , James Cole is being monitored a hatful of the clock time . Not on TV filmdom around the world , but by his own fundamental interaction with the future tense . Despite the grand scale , this lack of privacy leaves the moving picture feelingstrangely claustrophobicand full of the premonition feeling that nothing can be done to change anything that will happen .
For the most part , The Truman Showisn’t far off from that as it also focuses on a man with no autonomy in his life . The main difference of opinion here is that Truman Burbank ( Jim Carrey ) does n’t know anyone ’s view since his integral lifespan is actually a hit world video show he has no noesis about .
1984 (1984)
If there is one thing that inspire Terry Gilliam to makeBrazilit is George Orwell ’s novel1984,the perfect depiction of a dystopian time to come . It was made into a film in the twelvemonth 1984 to broadly speaking positive reviews , despite its inability to truly capture the essence of the incredible novel .
Gilliam claims to have never read the book , but the parallel of latitude between this , Braziland12 Monkeysmake this seem unbelievably improbable .
Back To The Future (1985)
The originalBack To The Futurewill likely go down in history as the ripe film abouttime travelever made . Anyone who loves12 Monkeysbut has n’t seen the first adventure of Doc Brown and Marty McFly is missing out on a lot .
It does n’t have the same earnestness as12 Monkeysand it does n’t precisely watch a surrealist fine art style , but if you ’re looking for the perfect use of fourth dimension travel then here ’s your fortune .
Fear & Loathing In Las Vegas (1998)
The cinematic version ofFear And abhorrence In Las Vegasis yet another Terry Gilliam classic . It might not be his unspoilt film , but it could easy be his strangest . It does n’t follow the sci - fi of12 Monkeysand instead focalise on the drug - cause passion of Johnny Depp and Benicio del Toro .
It might have been a financial unsuccessful person upon handout , but it has since win a cult condition for its non - stop bizarreness . The pic also has the claim of being the one picture show that Hunter S. Thompson , the author and lead of the book the movie is based on , gave his mold of commendation to .
The Zero Theorem (2013)
Terry Gilliam ’s most recent journeying into the humankind of sci - fi , The Zero Theorem , is considered to be the third entry into a dystopian trilogy that continue the themes introduced inBraziland12 Monkeys , though Gilliam has expressed this to both be out of true or intentional .
Either way , those who enjoyed the bizarre complexities of his two finest work will happen something to savour and think about in this strangeChristoph Waltztrip of a pic .
Harry Potter & The Prisoner Of Azkaban (2004)
At first glance , it does n’t seem to add up . However , most overtly , Harry Potter And The Prisoner Of Azkabanis full of time travel , the instant connection to12 Monkeys .
depend deeper and the connection is even stronger . Gilliam was actually considered to lead the firstHarry Potterfilm , though he has since vocalize a hard hate for the finished product . Azkabanwas Alfonso Cuarón ’s only pic in the franchise that Gilliam has put forward to be much closer to what he would have done with the adaption if he agreed to direct it .
V For Vendetta (2005)
The cinematic adaptation of Alan Moore ’s graphic novelV For Vendettadoesn’t have much in common with12 Monkeysin terms of story , but its setting is rather relatable .
Under a strange future regime , James Cole encounters government depravation and a humankind with a solid sensory faculty of anti - corporate views who is n’t a million Admiralty mile from V himself .
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